Arte Moderna e Contemporanea

Label of Galleria Centro, signed by the artist (on the reverse)

Signed, placed, dated "Garcia Rossi, Paris, 1985" (lower right) Stamp of Sincron Centro Culturale, Brescia (on the reverse)

Signed, dated, placed "Zeniuk, 2018, Munich" (on the reverse)

Signed, dated "Stefanoni, 1985" (on the reverse)

Signed "Sir" (lower right)

Signed "Sir" (lower right) The work is a variation of the illustration created by Mario Sironi for the cover of Ada Negri's book Le solitarie (Mondadori, Milan 1923). References to this work emerge from two letters written by Negri to Sironi. In the first, dated January 19, 1923, the writer expresses her desire for the cover to feature a cypress from Soldo, the villa of Margherita Sarfatti in Cavallasca, near Como, where she had been a guest. In the second letter, dated July 1, 1925, Negri thanks Sironi for the two drawings of Soldo, choosing the second for the cover for practical reasons, as the space between the margin and the tree facilitated the insertion of the title.

Signed "A.Bueno" (upper right) Numbered "AByR N.946" (on the reverse)

Signed "A. Bueno" (upper right) Label of the exhibition at Palazzo Strozzi, Florence (on the reverse)

Signed, dated "DB, 2008" (lower right) Signed, dated, titled "Donald Baechler, 2008, Blue cone" (on the reverse)

The work is the study for the installation at Bryant Park, New York 2000 Titled "Study tar roses" (lower centre); signed, dated "Dennis Oppenheim, 1999" (on the right)

Signed "Giovanni Fattori" (right centre) Titled "Soldati a cavallo in imboscata"; stamp of Mario Galli Collezione d'Arte, Florence; stamp of "Opere di Giovanni Fattori lasciate in eredità a G. Malesci"; stamp of Galleria Dedalo, Milan (on the reverse)

Signed "Spadini" (upper right)

Signed "G. Fattori" (lower right) Written, label of MediArte Antologia dei Macchiaioli, Pistoia (on the reverse)

Signed, dated "Salvo, 88" (lower centre)

Signed "S. Chia" (lower right)

Signed, dated "Dorazio, 1989" (lower right)

Signed, dated "Perilli, 2007" (lower left) Signed, titled, sized, dated "Achille Perilli, La caduta, 100x81, 2007"; label and stamp of Studio d'Arte Campaiola (on the reverse)

Signed, dated, titled "Piero Dorazio, 1988, Bifronte"; Stamp of the artist with no. 2073 (on the reverse)

Signed, titled "Tadini, Città italiana"; stamp of Galleria d'Arte Parametro, Rome (on the reverse)

Signed, dated, titled "M. Petrus, 2008, Upside down 4" (on the reverse)

Signed "Sassu" (lower right) The work is part of the "Cronache di Albisola" cycle, commissioned in 1948 by the owner of Ristorante Pescetto in Albisola Capo. This cycle, dismantled and dispersed in 1967/68 following the closure of the restaurant, offers a valuable and lively testimony of the community of artists, writers, critics, and poets, including Sassu. These intellectuals regularly gathered at local meeting spots such as Bar Testa and, precisely, Ristorante Pescetto.

Signed, dated "Guttuso, 50" (upper right) Signed, placed "Guttuso, Largo di Villa Massimo 2, Roma (on the reverse)

Signed "M. Reggiani" (lower left) Dedicated, signed, dedicated "Per la Galleria Interarte Genova, Mauro Reggiani, Per il Signor Steve Elak, Mauro Reggiani"; stamp of Galleria Interarte Genova, under no. 65/454; label of the artist (on the reverse)

Signed, dated, dedicated "Munari, 1990" (on the reverse)

Signed, dated "Bonalumi, 01" (lower right) Label of Deniarte, Rome; label of Artefiera Bologna; label of Artparis; label of Artfair in Opencity, Rome (on the reverse)

Signed, dated, titled, sized, numbered "U. Mariani, 2/2018, Taghelmoust: il velo, cm. 30x23, A-275" (on the reverse)

Signed, dated "Simeti, 91"; label of Archivio Turi Simeti (on the reverse)

Signed "Futurballa" (lower left) Label and stamp of Galleria d'arte del Naviglio, Milan; stamp of Vismara Arte Contemporanea, Milan (on the reverse)

Signed "Depero" (lower right) Signed by artist's wife, placed "Rosetta Depero, Rovereto" (on the reverse)

Signed, dated "Chighine, 59" (lower right) Dated, sized, titled "9-1959, 92x73, Serchio"; label of the exhibition in Galleria Bergamini, Milan; label of the exhibition in Ex Ospedale Soave, Codogno (on the reverse)